O Fotografo André Liohn, ganhador do prêmio Robert Capa Gold Medal está em São Paulo e fará uma palestra gratuita!
Ele estará na Ímã Foto Galeria, neste dia 02 de maio, quarta-feira, às 20hs. Falará sobre seu seu trabalho e sobre a situação do fotojornalismo, esse mesmo independente, de ensaios, mídia e oriente médio.
This short film is dedicated to the life, photography and mystery of Vivian Maier.
Executive producers: Jeffrey Goldstein & Lisa Vogel
Directed by: Tom Palazzolo
Written by: Jack Helbig / Edited by: Michael Bullis
Voice of Vivian Maier: Judith Hoppe
Music by: Erik Satie
Special thanks to curator John A. Bennette from the Hearst Gallery in New York and South By Southeast Magazine, the Steven Kasher Gallery in New York, and the Stephen Cohen Gallery in Los Angeles
All images copyright 2011 Vivian Maier Prints Inc.
Boa Mistura é um coletivo espanhol
Boa Mistura or “Good Mixture” is made up of five Spanish artists, Arkoh, Derko, Pahg, Purone and Rdick, who have developed their work in different fields including graffiti and mural painting, to graphic design and illustration. Collectively, they meld their talents together for various endeavors like this recent Participative Urban Art project in Vila Brâsilandia, one of the favelas in São Paulo. The intervention, with its 3D illusionary effect, focuses on “vecos” and “vielas” – winding streets that form as connections for the internal life of the community.
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Sed eu id maecenas, odio amet mauris, pede pharetra tristique nulla libero est massa. Dignissim ipsum vehicula eu auctor nulla facilisis, vestibulum cursus rhoncus mi ut urna, a faucibus lorem aenean, aliquam neque praesent lorem viverra ligula vestibulum, non mauris diam vivamus. Interdum nulla vivamus vivamus quam. Pellentesque nulla magna donec, habitasse wisi donec tristique in, magna donec amet et at sit, tristique tortor. Luctus mollis, risus vel et nulla, vel egestas orci, justo feugiat rhoncus adipisci. Amet at sit potenti eu non, pretium ante nonummy, leo eget ac interdum turpis. Cursus elit, aptent consequat iaculis vivamus, a diam nec in eu. Tortor nascetur. Wisi at ut cum, massa non hac hymenaeos posuere convallis, ultricies ipsum eget mauris. Fermentum metus amet dolor gravida non.
Jonne é a cara do fotografia de esportes e olímpica do Estadão. Sem precedentes, trabalho de Jonne se destaca pela maestria, apuro e dedicação
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February 2011Interface
Euismod Risus
Visura Magazine is an online, invitation only publication that features personal projects chosen by the contributing artists themselves. Article text is edited through a collaborative process with the artists. Our goal is to be true to their voice.
Visura Magazine invites one artist from our FotoVisura Community to participate in each issue. Submission are reviewed through our Your View gallery.
Contact Us: inquiries@visuramagazine.com
FotoVisura is an online toolbox that artists and photographers can use to publish, share and promote their work through images, video, audio, and text. FotoVisura facilitates self-publishing your work online by broadcasting it to your network of contacts, as well as displaying it in the public archive; members can also submit their work to the FotoVisura Grant, Visura’s Your View gallery as well as Visura Spotlight.
The project is also a library and search engine for editors, curators, collectors and lovers of art and photography.
For more information on how to use FotoVisura, checkout the site overview and join the email list here.
Our Mission
Our goal is to slowly build and strengthen the infrastructure of the photography realm to increase job availability, opportunity, and communication. Through FotoVisura, editors can search for work; photographers can build their own networks and create their own businesses that can be sustainable in an international community. As of now, less than 5% of photographers make a living in photography. Our mission is to stimulate and increase this percentage one day at a time. In doing so, we bring together all the tools and individuals within the community who share this vision. This is a full circle, all the parts are indispensable to meet the goal, so we thank you for being a part of this movement.
Why use FotoVisura?
• FotoVisura protects your intellectual property. Meaning, when you are a member of FotoVisura, you retain the sole copyright to work published in your profile.
• FV can be used as an alternative to having a website.
• Users can embed slideshows into other websites and/or blogs. For example, you can easily use FV to power a slideshow on your WordPress website. If you have any questions about how to do this, please feel free to contact us.
• Users can share their profile, and album(s) in Twitter, Facebook, and on other social networks.
• Users can include a bio and CV, as well as a self portrait to share information about themselves.
• Users can share and bookmark albums, and invite others to join this international community.
• Users with a Standard or Plus Account can submit work to be featured in Visura Spotlight and Visura’s Your View Gallery.
• Users with a Standard or Plus Account can apply to the FotoVisura Grant, Visura Spotlight, and Visura’s Your View Gallery.
• Users can send us information about exhibitions, workshops they are giving or recognitions that you have received to be promoted and announced through different resources, including FV Features Section, FV Bulletin Board, Facebook and Twitter.
• Users are part of an international photography community.
Muses d’Orsay é o ensaio de Rip Hopkins, fotógrafo da Agência VU, à encomenda do Museu d’Orsay, para retratar seus funcionários, no ambiente de trabalho.
Rip sugeriu a idéia de cada funcionário tirar seu próprio retrato. Além disso, escolheriam o local, e como seria essa foto. Segundo Rip, os empregados do museu se tornaram, assim, eles próprios os artistas e autores.
Rip que sempre brincou com a questão o que é ser fotógrafo? com esse projeto repensa a autoria de imagens, questões de museologia e releitura de imagens clássicas.
Timelapse de NYC, por Josh Owens.
cenas de rua de New York, em belo timelapse, principalmente as cenas com os pedestres, com a atmosfera da cidade.
Josh usou uma dolly rig (dynamicperception.com), uma 5D Mark II e Canon 7Ds e o The Little Bramper (thewhippersnapper.com)
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Obama falou de Lula, esse é “o cara”. Na fotografia brasileira, em especial São Paulo, se existie um time de “caras”, Egberto joga de centroavante. Nascido no fotojornalismo aguerido, começou na Angular??, cobriu o Brasil todo em Veja, sempre com olhar ético e amigável. Depois, lançou moda uma idéia que nem estava em moda ainda, uma Foto Galeria, um espaço que tratasse a fotografia como arte, exposição e negócio.
Sua cria, a Ímã Fotogaleria rasgou o concreto da dura realidade do fotojornalismo, nos anos 1990. E semeou idéias, que se espalharam.
Se hoje se existem coletivos e galerias “fine art”, todos têm em seu dna um pedacinho de Ímã.
Egberto, esse é o cara!
Visite a galeria IMA
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somos um coletivo de ninguém, de outros coletivos. sem fins lucrativos, falamos de fotografia do brasil, curada e comentada.
também estamos aceitando histórias, séries fotográficas e projetos documentais, de cunho jornalístico ou artístico.
quer divulgar seu material aqui, sem custo ? manda um alô
agradecemos
visionars.brasil@gmail.com
em construção ainda
